Psychedelic Victorians, 2010
Psychedelic Victorians, 2010

Digital Print on Paper

29.7 x 21cm

Untitled, 2014
Untitled, 2014

Arcylic on Linen

75 x 55cm

Display, 2016
Display, 2016

Paint pen on Paper

29 x 21cm

Retina, 2017
Retina, 2017

Paint pen on paper

29 x 21cm

Where I last saw you, 2019
Where I last saw you, 2019

Arcylic on Polyester

44 x 35cm

Blacklight III, 2018
Blacklight III, 2018

Paint pen on paper

110 x 80cm

Blacklight I, 2018
Blacklight I, 2018

Paint pen on paper

110 x 80cm

Blacklight II, 2018
Blacklight II, 2018

Paint pen on paper

110 x 80cm

Self-sufficient, 2016
Self-sufficient, 2016

Acetone transfer on linen and paint pen

30 x 50cm

Babes in the Woods, 2015
Babes in the Woods, 2015

Acetone transfer on linen and paint pen

30 x 50cm

Woven spectrum, 2016
Woven spectrum, 2016

Gouache on paper,

28 x 20cm

Still life with sponges, 2016
Still life with sponges, 2016

Acrylic on board

40 x 25cm

Untitled, 2016
Untitled, 2016

Paint pen on paper

120 x 80cm

Untitled, 2016
Untitled, 2016

Pen on paper

21 x 15cm

Untitled, 2016
Untitled, 2016

Pen on paper

21 x 15cm

Visions of Plenty: Entoptic Phemomena and its Manifestations in Navajo Rugs, 2011
Visions of Plenty: Entoptic Phemomena and its Manifestations in Navajo Rugs, 2011

Printed booklet

29 x 21cm

Cosmos Vol. 1
Cosmos Vol. 1

Printed booklet

42 x 29cm

MSD027.jpg
Psychedelic Victorians, 2010
Psychedelic Victorians, 2010

Archival inkjet print

29 x 21cm

Oh No, We Are All Going to Die!, 2012
Oh No, We Are All Going to Die!, 2012

Submission for Under/Current Magazine

Oh No, We Are All Going to Die!’ 2012
Oh No, We Are All Going to Die!’ 2012

Submission for Under/Current Magazine

Creepy in Crowd, 2017
Creepy in Crowd, 2017

Acetone image transfer and paint pen on linen

100 x 120cm

Cosmos posters I,II,III, 2010
Cosmos posters I,II,III, 2010

Single edition screenprints on paper

90 x 60cm

Oceanic Mass, 2012
Oceanic Mass, 2012

Digital image on archival paper

42 x 28cm

Untitled (with Max Creasy), 2012
Untitled (with Max Creasy), 2012

Archival photographic print

8 x10 “

Creepyincrowd.jpg
Creepyincrowd.jpg

Archival inkjet print

21 x29cm

Untitled 1 & 2, 2018
Untitled 1 & 2, 2018

Acrylic on Board

14 x16”

IMG_6667.jpg
IMG_6669.jpg
IMG_6670.jpg
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011

Abstracted and distributed by digital mediums, processes of creation and destruction have come to exist on parallel aesthetic planes as visual fodder for sensorial experiences of sublimity and exhilaration.

This work forms part of a larger body of research into sensory experience through colour, pattern and symbolism. Exploring themes of visual overload, exhilaration and cycles of death and renewal, it acts as a portal into my personal sensory experience of the world. Through artificial landscapes and the defamiliarisation of the everyday we can gain a new perspective on the natural order of the cosmos.

Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, A Door Opens, 2010
Film still, A Door Opens, 2010

A veritable video collage revealing aspects of visual exhilaration experienced when one opens a door into more clichéd YouTube snippets, in juxtaposition with a mundane London health centre setting. This piece was originally conceived to play as a continuous loop within a gallery context, in essence, taking the internet out of it's office/home environment and rephrasing the way in which we interact with it. This video has been shortlisted for YouTube Play. See the shortlist at youtube.com/play.

Who are you and why are you here, 2009.
Who are you and why are you here, 2009.

Paint and plaster,

12 x 10cm

Cosmos I
Cosmos I

Screenprint on paper,

Edition of 1

841 x 594mm

cos01.jpg
Cosmos II, 2009.
Cosmos II, 2009.

Screenprint on paper,

Edition of 1

841 x 594mm

Cosmos IV, 2009.
Cosmos IV, 2009.

Screenprint on paper,

Edition of 1

841 x 594mm

Untitled, 2010.
Untitled, 2010.

Plastic bottle, spray paint, pen.

150 x 40mm

Ceremony, 2009.
Ceremony, 2009.

12 x 4cm, paint and pen on aluminium tin

Film still, 2010.
Film still, 2010.
IMG_5593.jpg
Psychedelic Victorians, 2010
Untitled, 2014
Display, 2016
Retina, 2017
Where I last saw you, 2019
Blacklight III, 2018
Blacklight I, 2018
Blacklight II, 2018
Self-sufficient, 2016
Babes in the Woods, 2015
Woven spectrum, 2016
Still life with sponges, 2016
Untitled, 2016
Untitled, 2016
Untitled, 2016
Visions of Plenty: Entoptic Phemomena and its Manifestations in Navajo Rugs, 2011
Cosmos Vol. 1
MSD027.jpg
Psychedelic Victorians, 2010
Oh No, We Are All Going to Die!, 2012
Oh No, We Are All Going to Die!’ 2012
Creepy in Crowd, 2017
Cosmos posters I,II,III, 2010
Oceanic Mass, 2012
Untitled (with Max Creasy), 2012
Creepyincrowd.jpg
Untitled 1 & 2, 2018
IMG_6667.jpg
IMG_6669.jpg
IMG_6670.jpg
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, A Door Opens, 2010
Who are you and why are you here, 2009.
Cosmos I
cos01.jpg
Cosmos II, 2009.
Cosmos IV, 2009.
Untitled, 2010.
Ceremony, 2009.
Film still, 2010.
IMG_5593.jpg
Psychedelic Victorians, 2010

Digital Print on Paper

29.7 x 21cm

Untitled, 2014

Arcylic on Linen

75 x 55cm

Display, 2016

Paint pen on Paper

29 x 21cm

Retina, 2017

Paint pen on paper

29 x 21cm

Where I last saw you, 2019

Arcylic on Polyester

44 x 35cm

Blacklight III, 2018

Paint pen on paper

110 x 80cm

Blacklight I, 2018

Paint pen on paper

110 x 80cm

Blacklight II, 2018

Paint pen on paper

110 x 80cm

Self-sufficient, 2016

Acetone transfer on linen and paint pen

30 x 50cm

Babes in the Woods, 2015

Acetone transfer on linen and paint pen

30 x 50cm

Woven spectrum, 2016

Gouache on paper,

28 x 20cm

Still life with sponges, 2016

Acrylic on board

40 x 25cm

Untitled, 2016

Paint pen on paper

120 x 80cm

Untitled, 2016

Pen on paper

21 x 15cm

Untitled, 2016

Pen on paper

21 x 15cm

Visions of Plenty: Entoptic Phemomena and its Manifestations in Navajo Rugs, 2011

Printed booklet

29 x 21cm

Cosmos Vol. 1

Printed booklet

42 x 29cm

Psychedelic Victorians, 2010

Archival inkjet print

29 x 21cm

Oh No, We Are All Going to Die!, 2012

Submission for Under/Current Magazine

Oh No, We Are All Going to Die!’ 2012

Submission for Under/Current Magazine

Creepy in Crowd, 2017

Acetone image transfer and paint pen on linen

100 x 120cm

Cosmos posters I,II,III, 2010

Single edition screenprints on paper

90 x 60cm

Oceanic Mass, 2012

Digital image on archival paper

42 x 28cm

Untitled (with Max Creasy), 2012

Archival photographic print

8 x10 “

Creepyincrowd.jpg

Archival inkjet print

21 x29cm

Untitled 1 & 2, 2018

Acrylic on Board

14 x16”

Film still, Slow Cherries, 2011

Abstracted and distributed by digital mediums, processes of creation and destruction have come to exist on parallel aesthetic planes as visual fodder for sensorial experiences of sublimity and exhilaration.

This work forms part of a larger body of research into sensory experience through colour, pattern and symbolism. Exploring themes of visual overload, exhilaration and cycles of death and renewal, it acts as a portal into my personal sensory experience of the world. Through artificial landscapes and the defamiliarisation of the everyday we can gain a new perspective on the natural order of the cosmos.

Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, Slow Cherries, 2011
Film still, A Door Opens, 2010

A veritable video collage revealing aspects of visual exhilaration experienced when one opens a door into more clichéd YouTube snippets, in juxtaposition with a mundane London health centre setting. This piece was originally conceived to play as a continuous loop within a gallery context, in essence, taking the internet out of it's office/home environment and rephrasing the way in which we interact with it. This video has been shortlisted for YouTube Play. See the shortlist at youtube.com/play.

Who are you and why are you here, 2009.

Paint and plaster,

12 x 10cm

Cosmos I

Screenprint on paper,

Edition of 1

841 x 594mm

Cosmos II, 2009.

Screenprint on paper,

Edition of 1

841 x 594mm

Cosmos IV, 2009.

Screenprint on paper,

Edition of 1

841 x 594mm

Untitled, 2010.

Plastic bottle, spray paint, pen.

150 x 40mm

Ceremony, 2009.

12 x 4cm, paint and pen on aluminium tin

Film still, 2010.
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