00°00'00", 1998
00°00'00", 1998

Book that explores visually the depiction of invisible processes, in particular, how the measurement of time.

Slow Cherries, 2011
Slow Cherries, 2011

Small artist book created to accompany short experimental film Slow Cherries, Royal College of Art, 2011.

Cosmos, 2012
Cosmos, 2012

Created to mimic wallpaper sample books, Cosmos is a veritable material reference archive of various concrete, pattern and paint finishes collected photographically on a trip to Cuba.

'Catalogue Raisonné', 2010
'Catalogue Raisonné', 2010

A tongue-in-cheek play on the classic artist ‘Catalogue Raisonné’ created out of odd experiments and small sculptures created by the artist in the first year of her Masters at the Royal College of Art.

Visions of Plenty: Entoptic Phemomena and its Manifestations in Navajo Rugs, 2011
Visions of Plenty: Entoptic Phemomena and its Manifestations in Navajo Rugs, 2011

Thesis completed at the Royal College of Art in 2011 which explores the connections between optical phenomena, geometric pattern and iconography, psychoactive states, shamanism and totems in indigenous cultural experience.

Annexes, 2016
Annexes, 2016

Catalogue accompanying an exhibition curated by the artist at Studio Ultra Violet including artists: Conor O’Shea, Jana Hawkins-Anderson, Margaret Brink and Dylan Batty.

01: Catalog, 2017
01: Catalog, 2017

Written publication to accompany 01: Catalog exhibition curated by the artist and Livia Lima at Studio Ultra Violet in March 2017. Written piece by Margaret Brink. Artists: Margaret Brink, Rene Vale, Seamus Heidenreich, Livia Lima and Maya Stocks.

The Final Word, 2011
The Final Word, 2011

Cosmos included in the book that accompanied the Royal College of Art’s graduate show. Designed by Livia Lima, Susanne Stahl and David Gibson
Published by Royal College of Art. Distributed by Motto.

Psychedelic Visionaries, Iconograph Issue 2, 2012
Psychedelic Visionaries, Iconograph Issue 2, 2012

Article for Iconograph Magazine, Issue 2, 2012. “Systems of symbols and pictures that are constituted in a certain ordered and determined relationship to the form, content, and intention of presentation are believed to be among the most important means of knowing and expressing religious facts.”

Dysphoric Disorder, 2009
Dysphoric Disorder, 2009

Image caché archive of reference images collected whilst working as an art director in fashion advertising.

Cosmimesis, 2011
Cosmimesis, 2011

Planets are created by accretion, a process which melds disparate
particles and shapes them into perfect spherical forms - chaos into
harmony. The diaspora of stars and planets in the universe appear to
be dispersed randomly, however, by the very same forces they were
formed, they are ultimately destined to collapse into themselves
before another 'Big Bang'. Chaos - harmony, birth - death.
In a general sense, the word cosmos originates from the Greek (κόσμος)
and is defined as an orderly or harmonious system, it is also is a
synonym for the Universe.
The term 'biomimesis' comes from the Greek words bios, meaning life,
and mimesis, meaning to imitate. Biomimicry is the examination of
nature, its models, systems, processes, and elements to emulate or
take inspiration from nature in order to solve human problems.
Just how this can inform the work of the artist is the focus of my
particular interest, transforming biological facts into ficticious
landscapes. These screen prints are single editions, forming part of a
series of 20. This is part of a larger investigation into patterns of
creation and destruction that seek their formation by the underlying
structures of the cosmos. By allowing the inks to form their own
structures and 'landscapes' – new forms emerge, and in so doing arrive
at their own singular 'order'. A new order. I am interested in the
lack of artist's influence over this process, the works are determined
by the very same forces which govern the creation of celestial bodies
and tiny rock formations alike.

00°00'00", 1998
Slow Cherries, 2011
Cosmos, 2012
'Catalogue Raisonné', 2010
Visions of Plenty: Entoptic Phemomena and its Manifestations in Navajo Rugs, 2011
Annexes, 2016
01: Catalog, 2017
The Final Word, 2011
Psychedelic Visionaries, Iconograph Issue 2, 2012
Dysphoric Disorder, 2009
Cosmimesis, 2011
00°00'00", 1998

Book that explores visually the depiction of invisible processes, in particular, how the measurement of time.

Slow Cherries, 2011

Small artist book created to accompany short experimental film Slow Cherries, Royal College of Art, 2011.

Cosmos, 2012

Created to mimic wallpaper sample books, Cosmos is a veritable material reference archive of various concrete, pattern and paint finishes collected photographically on a trip to Cuba.

'Catalogue Raisonné', 2010

A tongue-in-cheek play on the classic artist ‘Catalogue Raisonné’ created out of odd experiments and small sculptures created by the artist in the first year of her Masters at the Royal College of Art.

Visions of Plenty: Entoptic Phemomena and its Manifestations in Navajo Rugs, 2011

Thesis completed at the Royal College of Art in 2011 which explores the connections between optical phenomena, geometric pattern and iconography, psychoactive states, shamanism and totems in indigenous cultural experience.

Annexes, 2016

Catalogue accompanying an exhibition curated by the artist at Studio Ultra Violet including artists: Conor O’Shea, Jana Hawkins-Anderson, Margaret Brink and Dylan Batty.

01: Catalog, 2017

Written publication to accompany 01: Catalog exhibition curated by the artist and Livia Lima at Studio Ultra Violet in March 2017. Written piece by Margaret Brink. Artists: Margaret Brink, Rene Vale, Seamus Heidenreich, Livia Lima and Maya Stocks.

The Final Word, 2011

Cosmos included in the book that accompanied the Royal College of Art’s graduate show. Designed by Livia Lima, Susanne Stahl and David Gibson
Published by Royal College of Art. Distributed by Motto.

Psychedelic Visionaries, Iconograph Issue 2, 2012

Article for Iconograph Magazine, Issue 2, 2012. “Systems of symbols and pictures that are constituted in a certain ordered and determined relationship to the form, content, and intention of presentation are believed to be among the most important means of knowing and expressing religious facts.”

Dysphoric Disorder, 2009

Image caché archive of reference images collected whilst working as an art director in fashion advertising.

Cosmimesis, 2011

Planets are created by accretion, a process which melds disparate
particles and shapes them into perfect spherical forms - chaos into
harmony. The diaspora of stars and planets in the universe appear to
be dispersed randomly, however, by the very same forces they were
formed, they are ultimately destined to collapse into themselves
before another 'Big Bang'. Chaos - harmony, birth - death.
In a general sense, the word cosmos originates from the Greek (κόσμος)
and is defined as an orderly or harmonious system, it is also is a
synonym for the Universe.
The term 'biomimesis' comes from the Greek words bios, meaning life,
and mimesis, meaning to imitate. Biomimicry is the examination of
nature, its models, systems, processes, and elements to emulate or
take inspiration from nature in order to solve human problems.
Just how this can inform the work of the artist is the focus of my
particular interest, transforming biological facts into ficticious
landscapes. These screen prints are single editions, forming part of a
series of 20. This is part of a larger investigation into patterns of
creation and destruction that seek their formation by the underlying
structures of the cosmos. By allowing the inks to form their own
structures and 'landscapes' – new forms emerge, and in so doing arrive
at their own singular 'order'. A new order. I am interested in the
lack of artist's influence over this process, the works are determined
by the very same forces which govern the creation of celestial bodies
and tiny rock formations alike.

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